_The Tiny Seed

in Our Pocket 

 

date: 01.08-11.08.2024

Venue: 3x3 Gallery

荒川区, 日本、〒116-00 12 東京都荒川区東尾久4丁目27−8

 

_Once up on time a tobacco farm outgrew a rice farm

 

In a 3x3 Art Space, Natalie TSYU will grow a sound eco-system where a kinetic machine will generate, in real time, the sound frequencies of the landscape's memory that once held tobacco and rice seeds. This installation will become a laboratory space of sound, where every vibration resonates through the architecture of the gallery, and our presence becomes an experience of listening to time.

 

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Duo Exhibition 

The Whisper of Time 

 

Time: November 2024

*Sound performance by Natalie Tsyu

[time to be specified]
Venue: 青木製陶所

〒479-0836 愛知県常滑市栄町3丁目63

 

 

The exhibition is a celebration of history’s enduring whispers of abandoned pipe factory. It invites visitors to pause, listen, and reflect on the delicate interplay of sound, space, and memory. In The Whisper of Time, the past is not forgotten—it is preserved, transformed, and given a new voice. Here, in the heart of the forgotten: history and memory intertwine, creating a profound dialogue in-between time. Step into this realm and let The Whispers of Time guide you through an unforgettable path of reflection, resonance, and revelation. Listen closely to the elusive sound of architecture whisper.

 

The core concept revolves around the "Whispers of Time”, encapsulated through the medium of ceramics by Masamichi Yoshikawa and sound art by Natalie Tsyu

 

 

SHIPS 

Shiraoi Projects 

 

ダフネス、意識しないと聞こえない体感できないもの

リサーチの際に、虎杖浜神社の吉良さんに、アヨロ 川が昔と現在では形が変わっているという話を聞き、自身の活動テーマと合致したことから、アヨロ川をモチーフにした作品制作がスタートしました。
その中でのキーワードは“ダフネス(deafness”。
「“耳が聞こえない人”みたいな意味なのですが、ただ耳が聞こえないという話ではなく、耳では聞き取れなくても、振動を感じること、触ることなど、聴覚以外で音を感じること。音の作品だけれど、聴覚
で聞くだけじゃないということ」を大事に考えていきたいとナタリー。アヨロ川の流れを録音した音や、作家自身に取り付
けた身体センサーや、その声など、身体を通してガラスのオブジェの中に組み込んでいます。

 

veiw: SHIPS.pdf

Artist Talk/Lecture 

 

Sound as an Archaeological Tool: Unearthing the Echoes of the Past

 

In the realm of archaeology, the use of sound as a tool for investigation and exploration is a relatively unexplored frontier. While traditional methods such as excavation and surveying have long been the mainstays of archaeological practice, the sonic landscape offers a wealth of untapped potential for uncovering the secrets of the past. 

 

 

date: 30 May

time: 09:30

place: Tokyo University of the Arts 

Time: 11:15-13:00
Venue: KHiO Library

Panel-Discussion: Same, similar, different and other— A cartographic exploration of an exposition from Sørøya Exposition

 

Listen to the dunkedunk of a boat amidst the roaring arctic sea, bringing you to Sørøya: you are off the coast of Finnmark. You want to go and spend time in a cave. Here you will still hear the noising sea, but also place yourself in time: you are now, the cave is old, during WWII the cave has a place for listening and transmitting radio-signals. Here you are in the Herzian field… you realise that it still exists in the perimeter of digital equipment, bordering unto a very physical world. You are in the realm of an exposition: and for a time it will be your site. We will share this with your during ARW 24 in a panel featuring: Nataliia Tsyu-Korotkova, Nina Tsybolskaia and Theodor Barth.

 

Komagome SOKO is pleased to announce a group show, “motivated bodies” by Fumimaro Ayano, Kaho Hayakawa, Chaelin Joen, Rin Takahashi, Natalie Tsyu, and Yuto Yonemura,

Dates: Sat. March 30 - Sun. April 21, 2024
Hours: 12:00 - 18:00 *Closed on Mon., Tue., and Wed.
Opening reception:  March 30 16:00 -

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VIS #9 – THEME: OF MEMORY AND PUBLIC SPACE

[Re] Mapping of Being - Landscape/Cavescape/Humanscape

(Re) Mapping of Being originates in a place-memory from the Second World War hidden under many layers of earth. It is part of Dunke-Dunk Artistic Research, an interdisciplinary project in which artists use a continual field approach to (re)read the history of the inhabitants of Sørøya in northern Norway, who went into hiding in the caves of the region in the winter of 1944/45.

VIS – Nordic Journal for Artistic Research

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*Conference on Artistic Research SAR

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*Serge von Arx
Eliot Moleba
Thursday, April 20, 2023 - 14:00

 

MAY 26-28 12:00 - 19:00 PM

The Void Song
Listen, Human Women

Performance dates: 
05/26 - 7 pm
05/27 - 2.30 pm
05/28 - 2.30 pm

 

UNTITLED space
3-13-7 Kyojima, Sumida City, Tokyo. 131-0046
Open: 12.00 - 19.00 pm 

ONA Project Room, Tokyo, JP

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TOKYO ART BEAT

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MAY-AUGUST 21.05-21.08

Touching The Reflection

PARABOL is a collaboration with Kunsthall 3.14, where Lydgalleriet selects a sound work for the parabolic loudspeaker sited in Kunsthall 3.14's entrance hall. PARABOL has a particular focus on sonic commissions and edits and offers a mode of address corresponding with the exhibitions in the main upstairs spaces. Touching the Reflection by IIA KO is curated by Emilie Wright and Julie Lillelien Porter in relation to the exhibition Fallow Land by Patrick Huse.

 

Kunsthall 3.14 Bergen, NO

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*The artist's name was changed in 2023: from Nataliia Korotkova (IIAKO) to Natalie TSYU ©