The nature of any pattern in one way or another includes repetitive movements that form a certain form of infinity. It is difficult to understand how not to become a hostage to such infinity and to retain the ability to go beyond the pattern. This liberated structural approach to sound can create possible new intermediate spaces where the listener's artistic interpretation is born.
How do the scripts/stave free themselves from memorized movements, become able to search for their own rhythms, and transmit them to imaginary spaces?
